Just discovered this online: https://alyshanett.com/tbt/ These are from when she just started modeling. You can find a few of the images with better editing in my book and portfolio. Thanks Alysha!
Beautiful Winter this year. These are all from my car window.
Once my Mavic drone flew above the tree tops the increased wind threatened to take it downrange and out of reach. Considering my behobbled state I’d have a hard time trudging through muddy farm fields even if I were able to locate it (electronically using “Find My Drone”) before the battery expired. Luckily I was able to lower its altitude and fly home through the trees.
To write is to rewrite and make even more typos. I end up going back and spending more time editing my long winded blog entries than creating them, I’m horrible at it. So here are some old photos, they are much safer:
During my recuperation I’ve watched 5-10 minutes of a hundred movies on Netflix, Cable, Hulu, Amazon, etc. and most all have sucked. The movies that I’ve truly enjoyed over the past two months have been Mel Gibson’s masterful Apocalypto, Michael Ritchie’s Downhill Racer and Sydney Pollack’s Jeremiah Johnson (Robert Redford x2), and Francis Ford Coppola’s The Godfather Part II (but not 1 or III). I’ve also liked Andrew Niccol’s Gattaca and Antoine Fuqua/David Ayer’s Training Day (Ethan Hawke x2). Peter Weir’s Master and Commander (Russell Crowe) and Danny Boyle’s T2 Trainspotting were entertaining; Eli Roth does dark comedy and horror best of anyone, i.e. Knock Knock with my favorite Keanu Reeves (I also enjoyed him in Chad Stahelski’s John Wick movies, finally semi-realistic gun play.) The John Ford classic The Searchers (John Wayne) and David Lean’s Lawrence of Arabia proved far too slow.
I’ve forgotten a few good movies, like what I had for breakfast last week I can’t remember them… pfft. The women volk watched some decent chick flicks… like Greta Gerwig’s Lady Bird with Saoirse Ronan (who is good in everything). Later I showed my daughter The Host (also by Andrew Niccol) which was better than average teen sci-fi due to Ronan’s performance. And Greta Gerwig is probably the best new and upcoming director, even though it pains me to acknowledge any hipster from Brooklyn.
Speaking of hipsters, it’s enlightening to observe their paranoia and fantasy in Bushwick, a failed Netflix video attempt about a mysterious right wing attack on diversity-enhanced Brooklyn. Lousy movie but interesting for its cringe-worthy propaganda value.
My flavor of propaganda was better served by Denis Villeneuve’s Blade Runner 2049. Watching Ryan Gosling, Mackenzie Davis, and Robin Wright was compelling, the futurism was novel, technically the movie was very well done, but it still wasn’t as good as the original. Far more disappointing was Dunkirk as Christopher Nolan has always been reliably based and supremely competent. Yes the British rescuers were brave but only because Hitler spared them in hopes of negotiating a peace, somehow this was left out of the story. Worse, Joe Wright’s Darkest Hour, in spite of Gary Oldman’s excellent performance, was inaccurate corny dreck.
Funny, I usually hate Sylvester Stallone but James Mangold’s Cop Land was excellent and Rocky outclassed the flaccid De Niro and average Keitel. That led me to watch Ryan Coogler’s Creed. Then I found myself watching The Boondocks and Jordan Peele’s Get Out (the first half of which was great, then it got stupid). Apparently the movie industry must decide whether to make a movie marketable to either Blacks or the Chinese market (i.e. The Great Wall disaster…), if they ever figure out how to combine the two it’ll be quite the payday.
While I love episodic series I haven’t found any to latch onto amongst the new Netflix or Amazon offerings. Usually the first episodes are so damn boring I lose interest versus say, The Walking Dead which opened with a bang (and took a while to suck). I suspect these series are so inexpensive/fast to write and film that they forget to build a hook into the beginning? The upcoming AMC show The Terror looks promising. Netflix’s Ozark and The End of the Fucking World were good. I enjoy Showtime’s Billions and Homeland, FX’s The Americans, HBO’s Silicon Valley… and that’s that.
Tastes change, I used to eagerly await every Quentin Tarantino film but after deciding I didn’t like him as person I reevaluated his films and now I think they’re pretentious and way-too-long…. Granted it’s hard to separate your feelings once you decide certain people are assholes but I’ll still watch MiraMax films and enjoy Kevin Spacey’s performances. I detest Meryl Streep as a person but she’s a fine actress… I watched Woody Allen’s Manhattan and while I love the filming, especially the B&W cityscapes with the George Gershwin’s Rhapsody in Blue accompaniment… I couldn’t help thinking that if you don’t realize the guy has sex issues and wrote the story so he could make out with a 17-year old then you’re either dense or complicit.
Still most “good” movies with popular stars are dreck once you actually try to watch them… they’re only good for multi-tasking, when you give them a fraction of your attention and glance up from time to time.
I’m also sick of being preached to. I’m open to watching movies from all sorts of people but it shouldn’t feel like Sunday morning or Soviet Roosevelt reeducation….
Not to rant anymore than usual ;-p but if the services simply had a better user interface I might be able to find some decent movies… filters, listing the principals, genre, date.
Wow… I finally saw Elia Kazan’s A Face in the Crowd and am blown away… first with the younger faces of well-known actors: Andy Griffith, Patricia Neal, and Walter Matthau. Then with the story as well as set design and photography. What a fascinating and relevant film. Now to watch more of Kazan’s movies….
I’ve only know of Andy Griffith from sleepy television shows but he was electrifying. It’s a shame his career went the way it did, he probably would have been one our greatest actors. Likewise I only knew of Patricia Neal from her matronly roles but in her youth she was very appealing ~ smart and beautiful. Walter Matthau was true to form at the relatively young age of 37 as he was in his later, more prominent roles. Also Lee Remick made her memorable baton twirling debut, talk about perfect casting.
Healing is on track but I’m still a bit from walking so these were all shot from the driver’s seat creeping around the neighborhood at 15mph.